Wednesday, October 31, 2012

The Ressurection (Mahler 2nd Symphony; The Resurrection)


1.

Sing now a solemn song,
for our hero is dead;
who flailed his fists
against the sky;
now a funeral march.
There is no sweetness in the pain,
no, not yet;
but there shall be tears flowing,
and bitterness.
No, not yet the jubilant frenzy
of flutes, the
exultant horns of triumph!
Pause, all ye mourners,
beside the flower-laden box.
What were our murmurings now
over his pale face,
the somber beauty of his shuttered eyes?

Sing now a song of Death.
He is held captive by the Slayer;
he is whiter than a snowflake;
his heart is cold.
What road shall his feet trod now,
what dust shall he stir,
of seeking, of suffering ?
And what are these wreaths
That we lay about him?
O that in life
he may have been so regarded,
so garlanded!
Now his mouth can revolt in no manner,
not even to fend the worms.
Tell me, people, what is the
value of remembered
eloquence ?
No, not yet the jocund voices;
not yet the whirl of praise.


2.

When we were young we ran in fields,
where morning glories blazed,
whose light chased night,
and gave us the world.
But flowers fade, like the brilliance
of our lost days;
Everything withers,
petals, hearts.
Now let us sit by no sorrowful hearth,
but on some hill
overlooking the sky and the grass,
and watch the children play.

Someday we will learn again to play,
It will come back to us,
somehow, like spring,
ever returning.
O rivulets of summer!
O wildness untamed!
Upon their gossamer wings
bees dream of nectar.
Down in the village
they are dressed for a festival,
our rosy young.
Come, they bid us join them.


3.

The dance of life!
a young girl moves with the
delicacy of lace, and
that boy's face
is rife with the wildest wonder.
I nearly drown in the flight
of lithe and lissome limbs!
O my lady, you are old,
and I am old;
and our hero is underground
along with hopes and fears
we sent to the darkness with him.
Sadly, we realize
our affinity with
the same awful shade.

Let us flee from here,
for it is far too bright
and I'll soon be deaf in this clack
of ring and broach and bracelet!
They may as well be devils
bowing the crazed fiddles;
and I am so disheartened I would fain
be as deaf and dumb as the moon.


4.

The rose in its perfection
astounds us to question,
can we attain what is ethereal.
When will our paths fill
with the effugence of angels
Who will lead us toward...



5.

...Heaven.

To the blare of trumpets we rose up
and pricked our ears as fanfares sounded
in the distance. Nightingales gave
the final earthly call.
Is this the attainment?
The mountains were shaken with thunder,
and rattled the valleys;
the earth shook under the heels of legions.
We stared upwards in astonishment
as the even tore assunder.
Arranged in rank and file we trampled
the grass, but the flowers were immortal
and sprang back up, tall and terrific,
with faces like suns.
We all wept openly into our hands,
each tear like gold.
This is the attainment!
The consummation of suffering and desire
in one moment, in one single, magnificent climax.

At last the voice of the Titan cried,
Ich bin von Gott, und will wieder zu Gott
We heard, and gave praise accordingly.

*


Walk beside me, my love;
between us pure spirit, the sanctity
of Resurrection.


7.17.1987edited10.30.2012

Tuesday, October 30, 2012

The Candle



The night comes down, and distant engines whine
upon the motorways. Yeats, ninety-nine years
have separated us. Before my birth
a woman out of Spiritus Mundi rose,
walked, and still walks, beside me. Holiday
makers are conveyed across my ears,
and I may rest assured (your song proved this)
that she's not one of them, unless, perhaps,
some young road-weary scribbler in her cell
shuttles among the mean and medium;
Ill-fashioned for this age, dishevelled, vague -

a candle swings and burns my vision out,
save for a timid rustling in the breast.

I cannot name her, for who names a ghost
that kicks the dust upon a stair, that moves
a cup, that rattles in a sugar dish?
She floats around my modest room, a gust
on the casement windows, or the ticking sounds
the furnace makes, will send her flying out.
A man clings desperately to what he loves;
you know that; and that I'm a man who knows
true desperation, blackest futility,
for what I love's imponderable to my touch.

A candle swings, and slide on cords of light
the twin doves of the image of my love.



mid to late 80s

Monday, October 29, 2012

Cabin Fever

I heard the wind upon the house all night
Railing as if in anger while I lay
In bed awaiting patiently for light.
I could not sleep, for what the wind would say;
I could not sleep, fearing the wind would do
My quaking walls some harm and lay me bare
To elements that might have run me through
Should I be sleeping and be unaware
That I could well be in some jeopardy.
I kept my eyes wide open in the dark
As if expecting a catastrophe.
I struck a match, and in that timid spark
The shadow of my hand across the floor
Reached, and seemed willing to unlock the door.


1989

Who?

is that stranger floating
quietly in the dark? noting
his flickering candle I
deem him firefly.


1987

To Apollo

I cannot bear the darkness, nor the light.
I say that you will be the end of me.
You whip me all the day and all the night.

You are a tyrant. I will quit you quite.
Because, my lord, you steal my liberty,
I cannot bear the darkness, nor the light.

Why, liege, do you require betimes, for spite,
an ode to nothing? I am never free:
You whip me all the day and all the night.

And I have thought of running. And I might.
What of the sun, and moon, and poetry?
I cannot bear the darkness, nor the light.

Yes, I will turn my tail. It is not right
that you should hound me so unstintingly.
You whip me all the day and all the night.

I'll hide under a stone. I will not write.
Let others gather of the laurel tree.
I cannot bear the darkness, nor the light.
You whip me all the day and all the night.


1987 (One of my first vils, if not the first.)

Dawn

Trees shed the
robes of night

while with
miraculous

silence
birds begin

one by one to
settle in their

branches
among the dewy leaves



1987 (Imitation of WC Williams)

Friday, October 26, 2012

Hippo Refined

                    He shall be seen 
performing on a harp of gold.


He shall be seen performing on a harp of gold?
Who shall be seen? And where shall he be seen?
In Heaven, iterates the noble Shade:
In Heaven. Heaven, the foster child of hope
Which springs eternal like returning spring.
In Heaven, draped in sweetly scented flowers:
Roses, perhaps, or hyacinths; perhaps
Chrysanthemums, less hymned in verse; perhaps
No flowers at all, for what need then for flowers?
Only the Luminescence, the too-bright
Effulgent Being, sceptered, and a crown
Of clouds and bright blue angels with light white
Wings. Only that One: power and prime desire
Of Souls, the Thing that strives for things not quite
Possessed: imponderable beauties and what Truths
The Sacred Urn elucidated not.
The Sacred Urn elucidated naught
Save but to strive, to better That behold,
Which is possessed of Beauty, which is Truth.
In Heaven. There we must presume is That,
And What created That, sublime, enthroned:
Triumphal pipes and raptured violins
Surrounding and resounding in the aether.
The breath of the Creator, breath of GOD.
He shall be seen performing on a harp of gold:
A wallower, a prince, his poison found and purged
And him left washed and slender, slenderer
Than GOD, at any rate, and prettier
Than, no, not GOD, not certainly; but seeing
As he had been born fat, a pretty thing,
More palatable, easier to swallow.



1999 (imitation of Eliot,Pound,Stevens, a big mess)